29 March - 10 April
In 2026, Anna Vilenskaya embarks on a European tour with a series of author lectures on classical and contemporary music. Paris, Hamburg, Stuttgart, Frankfurt and Luxembourg - in each city the audience will be treated to intellectual encounters, lively dialog and a new perspective on musical culture.
37-68 €
26-58 €
26-68 €
26-47 €
26-58 €
37-68 €
In 2026, Anna Vilenskaya embarks on a European tour with a series of author lectures on classical and contemporary music. Paris, Hamburg, Stuttgart, Frankfurt and Luxembourg - in each city the audience will be treated to intellectual encounters, lively dialog and a new perspective on musical culture.
Anna Vilenskaya is a musicologist, lecturer and music popularizer known for her ability to talk about complex phenomena in simple and engaging language. Her lectures combine academic depth, topical agenda and lively presentation, making the conversation about music accessible to both trained audiences and newcomers.
Hit or hype? A debate on the nature of popularity
In Paris, Anna Vilenskaya will speak together with Natasha Panfilova, a marketer, master's lecturer and author of a blog with an audience of over 200,000 people.
The theme of the meeting is "Hit or Hype?" - an intellectual battle between musicologist and marketer about where hits of the XXI century are born: in the studio or in the marketing department.
The audience is waiting for the analysis of world hits, analysis of algorithms and mechanisms of virality, musical experiments and interactive voting in real time. The audience will decide what is behind the success of the tracks - the talent of the artist or the engineering of attention.
Bach: great, but by what?
A lecture on the phenomenon of Johann Sebastian Bach, the composer with whom the history of academic music begins.
The talk will cover Bach's polyphony, compositional principles and innovations, as well as how his approach differed from his contemporaries and why his music influenced classical, romantic and modernist composers. No special preparation required.
How electronic music changed people's hearing
Lecture on how the invention of electronic instruments transformed the perception of timbre and rhythm. The first drum machine, rap, computer games, The Beatles' "White Album", Steve Reich's minimalism, The Prodigy 's energy and Radiohead's musical language are in focus.
The lecture reveals how technology gradually changed the very sound of the era.
Pink Floyd and psychedelic rock: what was it?
A meeting dedicated to the Pink Floyd phenomenon.
Why did their compositions go beyond the usual format? What is really behind the term "psychedelic rock"? The lecture combines music analysis, historical context and a breakdown of the band's artistic language.
Background music as a mirror of the era
A conversation about the phenomenon of 20th century background music: from Brian Eno 's ambient to music for elevators and telephone lines.
The lecture explores how our brains perceive background sound, why it forms the cultural code of the time, and how it reflects the aesthetics of eras - from retrowave to digital environments.
Musical hearing: an instruction manual
A practical lecture on the nature of musical hearing. Participants will understand what fret, relative hearing and musical synesthesia are, conduct experiments and get tools for developing auditory perception.
Anna Vilenskaya proves that everyone has a musical ear - the important thing is to learn how to use it.
Anna Vilenskaya's European Tour 2026 is a series of intellectual lectures on music, culture and perception mechanisms, combining academic precision, modern research and live dialog with the audience.